Publications & Presentations
Books & Book Chapters
Baltes, Elizabeth P. “Itinerant Statues? The Portrait Landscape of the Athenian Agora,” in Greek Art in Context, edited by D. Rodríguez-Pérez. Ashgate, in press.
Bruzelius, Caroline. Preaching, Building and Burying: Friars and the Medieval City. London: Yale University Press, 2014.
Bruzelius, Caroline. “Visualizing Venice: An International Collaboration.” In Lo spazio narrabile. Scritti di storia inonore di Donatella Calabi, edited by Rosa Tamborrino and Guido Zucconi, 155-160. Venice: Quodlibet, 2014.
Olson, Mark J.V. “Hacking the Humanities: 21st Century Literacies and the ‘Becoming-Other’ of the Humanities” in E. Belfiore and A. Upchurch (Eds.). Humanities in the Twenty-First Century : Beyond Utility and Markets. New York: Palgrave Macmillan, 2013. pp. 237-250.
Bruzelius, Caroline. “Teaching with Visualization Technologies: How Does Information Become Knowledge.” Material Religion 9 (2013): 246-253.
Bruzelius, Caroline. “Digital Technologies and New Evidence in Architectural History.” Journal of the Society of Architectural Historians 76, no. 4 (2017): 436-439.
Bruzelius, Caroline and Paola Vitolo. “Recovering the Architectural Patrimony of South Italy: The Medieval Kingdom of Sicily Image Database.” In Archeologia e Calcolatori Supplemento 10 (2018): 15-28.
Bruzelius, Caroline et al. “L’eco delle pietre: History, Modeling, and GPR as Tools in Reconstructing the Choir Screen at Sta. Chiara in Naples.” In Archeologia e Calcolatori Supplemento 10 (2018): 81-103.
Cecchini, Laura Moure. “The “Mostra del Quarantennio” and the Canon of Modern Art at the Venice Biennale in the Interwar Period,” Il Capitale Culturale, Studies on the Value of Cultural Heritage “Museums and Exhibitions between WWI and WWII” 14: 223-252.
Dillon, Sheila, and Elizabeth Palmer Baltes. “Honorific Practices and the Politics of Space on Hellenistic Delos.” American Journal of Archaeology 117 (2013): 207-46.
Galletti, Sara. “Philibert de L’Orme’s theory of stereotomy in the Premier tome de l’architecture.“ Thinking3D. April 16, 2018.
Galletti, Sara. “Stereotomy and the Mediterranean: Notes Toward an Architectural History.” Mediterranea: International Journal on the Transfer of Knowledge. 2, March 30, 2018.
Huffman, Kristin Love. “Jacopo De’ Barbari’s View of Venice (1500) ‘Image Vehicles’ and ‘Pathways of Culture’ Past and Present.” Mediterranea. International journal for the transfer of knowledge, 4 (2019), 165-214.
Jacobs, Hannah L. “Collaborative Teaching & Digital Visualization in an Art History Classroom.” Visual Resources Association Bulletin 43.2 (2016).
Jaskot, Paul B. and Ivo van der Graaff, “”Historical Journals as Digital Sources: Mapping Architecture in Germany, 1914-24,” Journal of the Society of Architectural Historians 76, no. 4 (December 2017): 483-505.
Jaskot, Paul B. and Anne Kelly Knowles, “Architecture and Maps, Databases and Archives: An Approach to Institutional History and the Built Environment in Nazi Germany,” The Iris (15 February 2017): http://blogs.getty.edu/iris/dah_jaskot_knowles/.
Rork, Kerry. “‘The religious heart of France’: Duke professors react to Notre-Dame burning.” The Duke Chronicle. April 24, 2019.
Szabo, Victoria, “Knowledge in 3D: How 3D data visualization is reshaping our world.” Parameters. July 11, 2018.
Medieval Kingdom of Sicily: A Database of Monuments and Sites. Project Director: Caroline Bruzelius; Project Managers: Paola Vitolo and Joseph C. Williams; Project Collaborators: Gabriella Cianciolo, Francesco Gangemi, Luciana Mocciola, Ruggero Longo, Alba Irollo; Metadata and Image Management Consultant: John J. Taormina; Technical Consultant and Database/Web Developer: David Tremmel.
Dissertations & Undergraduate Theses
Baltes, Elizabeth P. “Dedication and Display of Portrait Statues in Hellenistic Greece: Spatial Practices and Identity Politics.” PhD dissertation, 2016.
Dawn Narkin, Elisabeth. “Rearing the Royals: Architecture and the Spatialization of Royal Childhood in France, 1499-1610.” PhD dissertation, 2017.
Dodson, Alexandra. “Mount Carmel in the Commune: Promoting the Holy Land in Central Italy in the 13th and 14th Centuries.” PhD dissertation, 2016.
Giles, Lucas. “Historic Architecture and Digital Modeling: The Reconstruction of the Choir Screen at Santa Chiara in Naples.” MA dissertation, 2016.
Hung, Ju-Yu. “Immersive Projection: A Case Study on the Duke Chapel Interior.” MA dissertation, 2018.
Jentleson, Katherine. “Gatecrashers: The First Generation of Outsider Artists in America.” PhD dissertation, 2015.
Manning, Stephanie. “Applying GIS to the Logistics of Material Transportation for Constructing the Baths of Caracalla in Rome.” MA dissertation, 2017.
Miers, Henrietta. “Mapping All Above: Sixteenth-Century Ceiling Painting in Venetian Churches at a Time of Religious Reform.” MA dissertation, 2015.
Moure Cecchini, Laura. “Reimagining the Baroque in Italian Modernism: From the fin-de-siècle to Lucio Fontana.” PhD dissertation, 2016.
Noyes, Jordan. “Archiving Ephemerality: Digitizing the Berlin Wall.” MA dissertation, 2015.
Pissini, Jessica. “Decoding Artifacts for the Museum Viewer: Case Study of a Virtue from the Cathedral of Notre Dame in the Nasher Museum of Art.” MA dissertation, 2015.
Sherman, Erica. “Urban Agents: Confraternities, Devotion and the Formation of a New Urban State in Eighteenth-Century Minas Gerais.” PhD dissertation, 2017.
Trahey, Tara M. “A Black-Figure Vase in the Nasher Museum: Visualizing an Iconographic Network between Athens and Vulci in the 6th Century BCE.” BA Graduation with Distinction thesis, 2015.
Williams, Joseph C. “Mediterranean Trade and Architectural Production: The Church of S. Corrado in Molfetta (Apulia) ca. 1100-1300 CE.” PhD dissertation, 2017.
Baltes, Elizabeth P. “In the Round: Using Digital Technologies to Recontextualize Classical Sculpture,” University of North Carolina/Duke Classics Colloquium, Chapel Hill, NC. March 20, 2010.
Baltes, Elizabeth P. “The 3-D Model, Double-Spaced with 1” Margins: Reformulating the Digital Dissertation,” Panel Presentation, Digital Scholarly Communication – Notes from the Wired! Lab for Digital Historical Visualization, HASTAC 2011 Conference, Ann Arbor, MI, December 2, 2011.
Baltes, Elizabeth P. “Three Art Historians, a Computer Scientist, and a Digital Artist Walk into a Classroom…” Panel Presentation, Art Historians Interested in Pedagogy and Technology (AHPT), Annual meeting of the Southeastern College Art Conference (SECAC), Greensboro, NC. November 1, 2013.
Baltes, Elizabeth P. “A Critique of Digital Modeling,” Computer Applications and Quantitative Methods in Archaeology – Greece Conference, Rethymno, Greece. March 7-8, 2014.
Baltes, Elizabeth P., Caroline Bruzelius, Hannah L. Jacobs, and Timothy Shea. “Digital Thinking and Art History: Re-Imagining Teaching, Research, and the Museum.” Intermezzo Speaking Series, Art, Art History & Visual Studies. Duke University, Durham, NC. September 29, 2015.
Bruzelius, Caroline. “Revolutionizing Teaching with Technology,” Clark University, Worcester, MA. April 2010.
Bruzelius, Caroline. “Teconologia e l’insegnamento,” Ca’Foscari University, Venice, Italy. October 2011.
Bruzelius, Caroline. “What Does Technology have to do with the Humanities?” Massachusetts Institute of Technology, Cambridge, MA. 2011.
Bruzelius, Caroline. “What Does Technology have to do with the Humanities?” St. Louis University, St. Louis, MO. 2012.
Bruzelius, Caroline. “Teaching with Technology,” University of Vermont, Burlington, VT. January 2012.
Bruzelius, Caroline. “Tecnologia visuale e la Storia dell’Arte,” La Sapienza, Rome, Italy. April 2014.
Bruzelius, Caroline. “Digital Urban History: la storia della città tra ricerca e musei,” University of Turin, Turin, Italy. February 2-4, 2015.
Bruzelius, Caroline. “The Kingdom of Sicily Image Database: Creating a Scholarly Resource,” Australia National University, Canberra, Australia. November 2, 2015.
Bruzelius, Caroline. “Digital Thinking and Art History: Re-Imagining Teaching, Research, and the Museum,” University of Sydney, Sydney, Australia. November 5, 2015.
Bruzelius, Caroline. “Apps, Maps, and Models –The Digital Revolution and History,” Iowa State University, Ames, Iowa. March 27, 2017.
Bruzelius, Caroline. “Transforming Art History in the Digital Revolution.” Digital Art History Research Group. The Courtault Institute of Art, London, UK. June 12, 2017.
Bruzelius, Caroline. “Visualizing Venice: The Story of a City Through Maps and Models,” Save Venice Boston, Boston, MA. February 6, 2018.
Bruzelius, Caroline and Rachael Brady. “Digital Technology and the Humanities,” Mount Holyoke College and University of Massachusetts, Amherst, MA. 2012.
Bruzelius, Caroline, William Broom, and John Taormina. “The Medieval Kingdom of Sicily Image Database Project: From Conceptual Design to Management,” Digital Matters in Medieval and Renaissance Studies, Duke University, Durham, NC, April 6-7, 2018.
Bruzelius, Caroline, and Hannah L. Jacobs. “Demonstration: Using a Neatline Syllabus in the Introductory Art History Survey.” Art Historians Interested in Pedagogy and Technology: “A Signature Pedagogy for Art History in the Twenty-First Century.” College Art Association Annual Conference, Washington, D.C. February 3, 2016.
Bruzelius, Caroline, Mark J.V. Olson, Donatella Calabi, Andrea Giordano, Victoria E. Szabo. “Visualizing Venice.” Florentia Illustrata. Digital Mapping and Techniques of Visualizing the Pre-modern Italian City. Kunsthistorisches Institut in Florenz – Max-Planck-Institut. Florence, Italy. June 17, 2013.
Bruzelius, Caroline and Victoria E. Szabo. “The Lives of Places and Cities: New models of representation and their conceptual implications for the past and present.” Seminario Internazionale: Promosso dagli insegnamenti: Storia dell’architettura e Disegno edile. Università degli Studi di Padova. Padua, Italy. June 9, 11, and 16, 2014.
Di Stefano, Chiara, and Laura Moure Cecchini, “Between the Ephemeral and the Virtual: Reactivating Art Installations through Digital Reconstructions,” Panel Organization, College Art Association, Washington, D.C, February 3-6, 2016.
Dillon, Sheila, Mark J.V. Olson, and Raquel Salvatella de Prada. “Wired! New Representation Technologies for Historical Materials.” Invited Presentation. C.H.A.T.: A Digital Arts and Humanities Festival, University of North Carolina at Chapel Hill, Chapel Hill, NC. February 17, 2010.
Dundas, Iara and Elizabeth Narkin. “How Can Visualization Technologies Help Us to Teach and Learn Architectural History?” Panel Presentation, Connections and Transformations: New Technologies in the Arts and Humanities. Annual Meeting of the Southeastern College Art Conference (SECAC). Greensboro, NC. November 1, 2013.
Galletti, Sara. “Mapping Stereotomy: Vaulting in the Ancient and Medieval Mediterranean.” Digital Matters in Medieval and Renaissance Studies, Duke University, Durham, NC, April 6-7, 2018.
Gianighian, Giorgio and Erica Sherman. “Robotics and Cultural Heritage.” RICH 2012: Robotics Innovation for Cultural Heritage. Venice, Italy. December 3-4, 2012.
Holloway, Carson, and Hannah L. Jacobs. “DEVONthink.” DH Studio Workshop, Digital Scholarship Services. Duke University, Durham, NC. March 25, 2015.
Huffman, Kristin L., and Mark DeLong. “500-Year-Old Wooden Blocks, Light Laser Scans & Photogrametry.” Digital Matters in Medieval and Renaissance Studies, Duke University, Durham, NC, April 6-7, 2018.
Jacobs, Hannah L. “Reflections on Uses of Spatiotemporal Visualization in a Humanities Classroom.” Visualization & Interactive Systems Friday Forum Speaking Series. Duke University, Durham, NC. October 16, 2015.
Jacobs, Hannah L. “Digital Curation in the Arts: Working with the Wired! Lab.” Duke Library Advisory Board. Duke University, Durham, NC. April 8, 2016.
Jacobs, Hannah L., and Victoria Szabo. “Digital Archiving & Storytelling in the Classroom with Omeka & CurateScape.” Digital Humanities 2016. Jagiellonian University, Kraków, Poland. July 12, 2016.
Jaskot, Paul B. “Using Digital Humanities to Understand the Architecture of the Holocaust.” Digital Art History Lab Lecture Series, The Frick Collection, New York, NY. October 17, 2017.
Jaskot, Paul B., Anne Kelly Knowles (University of Maine), and Justus Hillebrand (University of Maine). “GIS and Corpus Linguistics: Mixed Digital Methods for the Exploration of Forced Labor in Krakow District Ghettos.” Digital Approaches to Genocide Studies, USC Shoah Foundation, Los Angeles, CA. October 23, 2017.
Jaskot, Paul B., et al. “Grand Challenges of Art History: Digital/Computational Methods and Social Art History.” The Clark. April 27, 2019.
Lanzoni, Kristin Huffman. “Visualizing Venice: Digital Tools & Urban History,” Berlin, March 2015.
Michaud, Noah. “Mapping Social and Spatial Encounters in Eighteenth-Century Venice.” State of North Carolina Undergraduate Research & Creativity Symposium. Duke University, Durham, NC. November 23, 2019.
Olson, Mark J.V. “Toward a Process Ontology for Digital Archives.” Invited Keynote. North Carolina Preservation Consortium Annual Conference, Raleigh, NC. November 2, 2012.
Olson, Mark J.V. “Digital Technologies and the Social Life of Things: The Wired Lab at Duke University.” Panel Presentation, Connections and Transformations: New Technologies in the Arts and Humanities. Annual Meeting of the Southeastern College Art Conference. Greensboro, NC. November 1, 2013.
Olson, Mark J.V. “Storytelling with Sources: Open Source Digital Humanities.” Invited Lecture. Skidmore College, Saratoga Springs, NY. June 3, 2014.
Olson, Mark J.V. and Elizabeth P. Baltes, Erica Sherman, Victoria Szabo. “Digital Scholarly Communication – Notes from the Wired! Lab for Digital Historical Visualization,” HASTAC 2011 Conference, Ann Arbor, MI, December 02, 2011.
Olson, Mark J.V. and Caroline Bruzelius. “Learning by Making: Digital Methods and the Wired! Experiment at Duke University.” Invited Public Lecture. Inaugural Lecture, Wesleyan Digital and Computational Knowledge Initiative, Wesleyan University. March 6, 2013.
Rodney, Paloma. “Political History of Prisons: The Architecture of People in Raleigh’s Central Penitentiary.” State of North Carolina Undergraduate Research & Creativity Symposium. Duke University, Durham, NC. November 23, 2019.
Rork, Kerry. “Women in Art History: Representation and Characterization.” State of North Carolina Undergraduate Research & Creativity Symposium. Duke University, Durham, NC. November 23, 2019.
Sherman, Erica and Alexandra Dodson. “Visualizing Venice: Tracking Historical Change with New Technologies.” ICERI (International Conference of Education, Research and Innovation). Madrid, Spain. November 14-16, 2011.
Szabo, Victoria E. “Visual Studies and Digital Humanities”, Invited Speaker, 20th Anniversary of Visual and Cultural Studies Series. University of Rochester, Rochester, NY, March 30, 2010 – April 1, 2010.
Szabo, Victoria E. “Visualizing the Past: Database-Driven Exploration in Hybrid Reality Systems.” Digital Humanities Symposium – Florentia Illustrata. Center for Disciplinary Innovation, University of Chicago, Chicago IL. January 13-14, 2014.
Szabo, Victoria E. “On Site and On Location: Digital Heritage and the 21st Century Museum.” Centre de Recerca i Debat. Museo D’Historia de Barcelona. Barcelona, Spain. June 26, 2014.
Taormina, John J. and Mark Pompelia. When the Past Collides with the Present: Moving Beyond the Single Classroom Experience via Digital Technologies. Session Co-organizers. Annual Meeting of the Southeastern College Art Conference, Durham, NC, October 2012.
Taormina, John J. “Digital Technologies and the Visual Arts: Reconfiguring Knowledge in the Digital Age,” in Making the Digital Humanities Visual: Opportunities and Case Studies, Annual meeting of the Visual Resources Association, Providence, RI, April 2013.
Taormina, John J. and Mark Pompelia. Enhancing Education Beyond the Classroom Experience via Digital Technologies, Session-Co-organizers. Annual meeting of the Visual Resources Association, Providence, RI, April 2013.
Taormina, John J. and Mark Pompelia. Connections and Transformations: New Technologies in the Arts and Humanities. Session Co-organizers. Annual Meeting of the Southeastern College Art Conference, Greensboro, NC, October 2013.
Taormina, John J. The Politics of Change: Digital Humanities and the Visual Arts. Session organizer. Annual meeting of the Art Libraries Society of North America. Washington, DC, March 2014.
Taormina, John J. and Jenni Rodda. Cultural Heritage in a Computational Environment: Making the Digital Humanities Visual. Session Co-organizers. Annual meeting of the Visual Resources Association, Denver, CO, March 2015.
Triplett, Edward. “The Book of Fortresses: An Early Modern Visualisation of a Historical Buffer-Zone.” Digital Matters in Medieval and Renaissance Studies, Duke University, Durham, NC, April 6-7, 2018.
Triplett, Edward. “Drawing Borders with Castles and Maps —Making Sense of the 16th Century Livro das Fortalezas.” The Spaces of Early Modern Architectural Production, Max-Planck-Institute für Wissenschaftsgeschichte, Berlin, Germany, May 17, 2018.